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Field Notes Colors: Drink Local

October 4, 2016

I’m continuing on my journey to write about every Field Notes Colors edition that’s been released so far that are in my possession. After Grass Stain Green last time, I’m choosing Drink Local, while I wait for the fall edition of 2016 to arrive. :)

Drink Local is the Fall edition of Field Notes from 2013, 20th in the COLORS series. It was born out of Field Notes’ love of beer and features 6 different memo books, in a range of colors from pale yellow to dark brown-black, each representing a different brew of beer. Added on the back of each cover is a brief history of each type and an awesome Draplin-designed logo of a beer glass. Interestingly, Drink Local came in two different 3-packs, one for Ales (Stout, Amber Ale, and Indian Pale Ale) and one for Lagers (Pilsner, Bock, and Pale Lager).

Drink Local “Ales” (left) and Drink Local “Lagers” (right) with matching letterpressed coasters.

From left: Stout, Amber Ale, India Pale Ale, Pilsner, Bock, and Pale Lager.

I know I’m going to shock some of my fellow Field Notes fans but Drink Local is not one of my top favorite Field Notes. As a memo book, it’s perfectly fine, as I’m comfortable writing with gel pens on its 50#T Finch Paper body paper. But I find the yellow color “Hefeweizen” used for the graph grid a bit overwhelming, and am not a big fan of the “soft-touch” varnish (more on this later in the post). Thematically and design-wise, I think it’s a solid edition, and even though I’m not much of a beer drinker, I find the local craft beer theme really neat. And as always, I appreciate all the details Field Notes put into this edition, from the bold combination of rich colors and the contrasting glossy varnish on the logotypes, to the extra texts and edition-specific graphics on the back covers. Not to mention the gold-colored staples! And the thick, hand-letterpressed, pub-style coasters that came packaged in each 3-pack! Even so, there are so many other Field Notes with matte covers that I like better, that Drink Local unfortunately gets pushed fairly low on my FN ranking. Doesn’t mean I hate it or that I don’t enjoy it though.

Quick graph grid comparison (from top): Drink Local, slightly lighter yellow in Packet of Sunshine, and light brown in Original kraft. I find the yellow grid in Drink Local a bit saturated for writing but I enjoyed using brown ink on it.

The 6-pack carrier was a subscribers-only extra that I tracked down much later because I was not subscribed at the time Drink Local was released. It features the same beer glass logos found on the coasters and on the back cover of the memo books.

Proper item numbers: FNC-20a for “Ales” and FNC-20b for “Lagers”.

And for the extras too! FNC-20c, FNC-20d, and FNC-20e.

Details everywhere.

Glossy varnish on the logotype. It's used only on the front. Also, Pale Lager (pale yellow) is the only book where they used brown ink for the logo and texts; all the other books are white (probably the white of the paper). I understand why they went with brown for Pale Lager but wish it was the same as the other books.

Firsts

Drink Local is the first in Colors to get the “soft-touch” varnish on the cover that makes it feel soft and almost rubbery, in contrast to many of the previous Colors editions with matte covers. The next quarterly edition to get the “soft-touch” treatment is Unexposed, another fall edition a year later in 2014. Drink Local uses New Page Sterling Premium in 120#C as its cover stock, the first time (and the only time so far) we’re seeing it in Colors, while Unexposed uses Sappi McCoy. Despite the coating, since the cover is white with colors printed on it, the white of the paper can start showing through when it gets scratched or worn down over time, especially at the edges.

Used vs. new: Amber Ale (left set) and Bock (right set). Used one is on the left of each set.

It seems many people love this type of “soft-touch” cover because the coating renders the memo book more durable overall and resistant to moisture. Like I mentioned, I’m probably in the minority of people that don’t love this type of cover. I think it’s okay but the varnish seems to change colors as it ages? I’m not exactly sure which part is changing but some of my used books look noticeably different from their new counterparts, and there’s an uneven, green-ish tint that makes them look dirtier. That’s probably the most negative thing I can say about Drink Local.

Bock: used one is on the left.

Stout: used one is on the right.

It's hard to see it but two of my Pale Lagers also suffer from brown-ish “stains” down the length near the spine on the front.

Amber Ale: used one is on the left. Btw, Drink Local is not the first edition in Colors there are extra texts and edition-specific “branding” on the covers. National Crop and County Fair are examples that precede Drink Local.

Gold staples. They have tarnished a bit over the years but they still look good with all the colors.

Another major “first” in Drink Local: gold-colored staples! It was probably a no-brainer for the Field Notes team to go with gold staples, considering the warm colors they chose for the covers. The next quarterly edition to get the gold staples is Shelterwood (Spring 2014), which is only a couple editions after Drink Local.

Two different belly bands for one edition!

As for the way it was packaged, it’s not the first time a quarterly edition consisted of 6 different books but unlike the boxed edition National Crop (Spring 2012), Drink Local is unique in that it was packaged as two distinct 3-packs, one pack for Ales and one pack for Lagers. So as a non-subscriber, you could choose which pack to buy, while subscribers received one pack of each type. No doubles.

The coasters came packaged inside and shrink-wrapped with the memo books, similar to how the extras in America the Beautiful and Fire Spotter were packaged.

“Chipboard” belly band is lighter than the kraft paper used in Original Field Notes.

Inside of every book is the same dark brown-black color found in “Stout”. Not every pen works on this inside cover because of its color and texture but I was able to fill in the dates using a white Posca marker.

Quick note on the edition size of Drink Local. It’s 10,000 of each type of 3-pack, meaning 10,000 packs of “Ales” and 10,000 packs of “Lagers”. Total of 20,000 packs. Or 10,000 books per each type of beer. Night Sky, the quarterly edition right before Drink Local for Summer 2013, was 15,000 packs. Cold Horizon, the following edition in Winter 2013, remained the same at 20,000 packs. Interestingly, on the back inside cover of Drink Local, it says “60,000, September 2013”. That’s 60,000 books altogether.

Look how thick the coaster is! The coasters were also available for sale separately from the 3-packs but they're now sold out.

Some fun (for me) details

  • Drink Local is the 2013 fall edition of COLORS, the 20th in the series.
  • Item Number: FNC-20a for “Ales” and FNC-20b for “Lagers”, as printed on the belly bands. Priced at $9.95/pack. Collectively FNC-20.
  • Edition size: 10,000 packs of “Ales” and 10,000 packs of “Lagers”, September 2013.
  • Covers: New Page Sterling Premium 120#C “Dull” printed with six unspecified soy-based Toyo inks with an overall “soft touch” varnish and gloss-varnished logos.
  • Inside cover: the same dark brown-black as the “Stout” book, with white text
  • Body paper: Finch Paper Opaque Smooth 50#T in “Bright White”
  • Graph grid inside: “Hefeweizen” yellow-orange soy-based Toyo ink
  • Extras: 3.5"-diameter 2-color coasters letterpress-printed by hand in Chicago, by Liz Isakson-Dado, who bought letterpress equipment from Dan Barron of Flywheel Letterpress (he printed FN editions like Raven's Wing and Fire Spotter). Learn how these coasters were printed by reading this or by watching the 2013 recap video.
    • FNC-20c: “Ales” coaster
    • FNC-20d: “Lagers” coaster
  • Subscribers-only extra: FNC-20e “Ales & Lagers 6-Pack Carrier” made with what looks like the same paper used in the belly band.
  • Belly band: Chipboard printed with dark brown ink
  • Staples color: gold
  • Film: Field Notes: Drink Local Edition (on Vimeo) featuring the voice of Jim Coudal.
  • Film: An Obsessive’s Guide to Field Notes COLORS: Part Five (2013) (on Vimeo)

My favorite “Practical Applications”

  • #08. Good Ideas at the Time
  • #09. Zythology Notes
  • #24. Norm-isms
  • #27. Designated Driver Rotations

Quick color comparison. Top row (from left): Nixon (2015), Ambition, Cherry Graph, Drink Local “Bock”, Tournament of Books (2016), Sweet Tooth, Mackinaw Autumn, and Tournament of Books (2015). Bottom row (from left): Arts & Sciences, Red Blooded, Ambition, National Crop “Sorghum”, Drink Local “Amber Ale”, County Fair, and Starbucks Reserve Coffee Origins “Africa”.

Quick color comparison (from left): Mackinaw Autumn, Butcher Orange, Drink Local “India Pale Ale”, National Crop “Wheat”, Mackinaw Autumn, Original kraft, and Shenandoah “Red Maple”.

Quick color comparison. Top row (from left): TEDx, Pitch Black, Night Sky, and Arts & Sciences. Bottom row (from left): Raven's Wing, DDC “Pretty Much Everything”, Drink Local “Stout”, Traveling Salesman, Ambition, and Nixon (2015).

Gold staple editions (from top): Drink Local (notice the green tint), Shelterwood, Cherry Graph, Ambition, and Capsule (SS 2016).

A screenshot from the official Field Notes Drink Local video.

Which is your favorite book in Drink Local? I’d choose the Stout book (dark brown-black) or the Amber Ale book (warm red), despite how it ages.

Remember to note responsibly! Cheers! 🍻

In Field Notes Colors Tags field notes, field notes drink local, fall edition, graph grid, soft-touch coating, gold staples, extras, coasters, belly bands, brown, dark brown, medium brown, pale yellow, orange, red, 6-pack carrier
2 Comments

Field Notes Colors: Grass Stain Green

July 20, 2016

I’m continuing on my journey to write about all the Field Notes Colors editions that have been released so far and are in my possession. After my post on Arts & Sciences last time, I’m choosing something more positive and up-beat: Grass Stain Green.

Grass Stain Green is the summer edition of Field Notes COLORS from way back in 2009. I wish I had known about Grass Stain Green (or Field Notes) for that matter, when it was released because it is an absolutely stunning edition. It’s very summery with a medium-green color that resembles grass, and a wonderful texture from letterpressed type on the matte cover. As you can see, I only have a single copy of it that I managed to acquire years after its release. And I don’t think I’ll be able to use it any time soon, as I highly doubt I’ll find more of it at a reasonable price anymore. It is a very old edition after all (3rd in the series), and it’ll only get more valuable as time goes on.

But boy, am I glad to experience at least one. It’s one of my top favorite Field Notes ever (see my FN ranking here; I'm not alone either). It is one of the more straight-forward editions but it has just enough rich details – the letterpress “blind hit” on colorful, thick French Paper, green graph grid inside – that make it a truly special edition. A simple combination that works great for the original format, just the way I like my Field Notes.

As I mentioned earlier, Grass Stain Green (GSG) is a very early edition, 3rd only after Butcher Orange and Butcher Blue. And I would like to think GSG is when Field Notes realized their subscription idea was seriously becoming a thing. For one thing, the Butcher editions were so successful that Field Notes more than tripled the edition size, from 500 packs to 1,650 packs with GSG. Interestingly, its back cover says 5,000. I assume they mean 5,000 books. Doesn’t matter, it still sold out right away. They kept some of the same features from the first two editions: the generic white belly band with black text, the item number “FN-01”, the same original “Practical Applications”, silver staples, and a graph grid on Boise Paper innards. But Field Notes started having a little more fun and introduced a few major “firsts” in Grass Stain Green.

Three silver-colored staples.

Silver staples + green graph grid.

Firsts

The major “first” is that the cover in GSG is letterpress-printed, whereas the Butcher editions are offset-printed. It was printed by hand at Flywheel Letterpress, and the resulting heavy impression gives the cover a nice debossed look that you can feel with your fingertips. I absolutely love it. And it’s printed with tinted varnish, giving the text a slightly glossy variation. Maybe I’m reading too much into it but it truly reminds me of fresh grass blades in the sun. And if you ask me, the grass theme seems very appropriate for Field Notes (for summer no less). Very American. The great expanse of green yards was one of the first things that left me a deep impression when I came to America. And squirrels.

But I digress. There are other Colors editions that follow GSG’s footsteps, like Raven’s Wing (Fall 2010) and Fire Spotter (Fall 2011), both hand-printed by Flywheel. But what really sets GSG apart in my opinion, in addition to it being the first letterpress edition, is that it looks like it’s letterpressed on the inside cover, too. You can actually see and feel the text printed on the inside covers showing through the paper on the outside (see the ruler showing through in the picture above). I think no Colors edition has had letterpressed text on the inside since GSG. It’s probably too expensive and time-consuming to do that these days with the bigger edition sizes, if we learned anything from Two Rivers (Spring 2015). Anyway, this letterpress goodness in GSG makes it a highly desirable and unique edition in my book, and the fact that the text inside is printed with “Green Mind” green ink for that tone-on-tone effect is just awesome icing on the cake.

Quick grid comparison (from left): Green grid in Capsule AW14, slightly lighter green grid in GSG, Original light brown grid.

The other “first” worth noting is that the graph grid on its body paper is “colored.” It’s printed in a light green color called “Photosynthesizing Chlorophyll” instead of the “Double Knee Duck Canvas” light brown from the first two editions (and from the regular kraft FNs). The next Colors edition to deviate from the norm is Just Below Zero (Winter 2009) with a blue-grey grid. Obviously, I haven’t used GSG to be 100% sure, but the green grid doesn’t look too dark or distracting for writing.

Another interesting “first” in GSG: the naming of the edition. It’s something I might have missed, had I not watched FN’s Recap Video #1. The first two limited editions were named after the name of the paper color, i.e. the cover in Butcher Orange is made with French Paper Dur-O-Tone in “Butcher Orange” and Butcher Blue with “Butcher Extra Blue” from the same line of paper. The cover in Grass Stain Green is also made with French Paper, Pop-Tone in “Gumdrop Green” to be more specific, but Field Notes gave it an original name, that evokes a color you see on a “white t-shirt after rolling around in the grass” according to Jim Coudal in the aforementioned video. A sure sign the Field Notes Colors series was starting to take shape.

Lastly, and this might sound trivial but it’s not to me: GSG is the first summer edition! There have been many summers since, and other summer editions like County Fair (2010) and Day Game (2012) are quite summer-y as well. But in my eyes, nothing says “summer” like Grass Stain Green does. Field Notes really started with a bang, and I’ll probably forever compare all future summer editions to Grass Stain Green.

Quick color comparison (from left): DDC “Sorta Jade”, Starbucks Coffee Origins “Asia/Pacific”, Summer Camp, Neon Ice Pop, Unexposed, Our503.com, National Crop “Soybeans”, Shenandoah “Sweet Birch”, Grass Stain Green, Shenandoah “Chestnut Oak”, Day Game “Outfield Green”, Balsam Fir, Ambition, Shenandoah “Red Maple”, and Original Kraft.

 I may never get another GSG but at least there’s Shenandoah! Shenandoah’s “Sweet Birch” features the same cover stock: French Paper Pop-Tone in “Gumdrop Green.”

Some fun (for me) details

  • Grass Stain Green is the 3rd quarterly limited edition of Field Notes, released in Summer 2009.
  • Item Number: FN-01 (retroactively assigned FNC-03)
  • Edition size: 1,650 packs according to the official website, 5,000 printed on the back cover.
  • Cover paper: French Paper Pop-Tone 100#C in “Gumdrop Green”, letterpress-printed with tinted spot varnish
  • Text on the cover inside: printed with “Green Mind” green ink
  • Body paper: Boise Offset Smooth 50#T in “White”
  • Graph grid inside: “Photosynthesizing Chlorophyll” light green soy-based ink
  • Belly band: white with black text
  • Staples color: silver
  • Film: Dum Dah Dee Dum, a stop-motion recap of the first year of Field Notes COLORS Subscription
  • Film: An Obsessive’s Guide to Field Notes COLORS: Part One (2009) on Vimeo
  • “Practical Applications” are the same as the ones found in the regular kraft books.

Are you one of the lucky people who got Grass Stain Green when it was first released? If so, would you want to see it reprinted? I would, for sure. But I’m not sure how likely an all hand-printed edition will be from now on, with edition sizes getting bigger and bigger. One can hope!

In Field Notes Colors Tags field notes, grass stain green, green, letterpressed, flywheel letterpress, graph grid, silver staples, summer edition, french paper, french paper pop-tone
4 Comments
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