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Field Notes Colors: Just Below Zero

April 19, 2017

I’m continuing on my journey to write about every quarterly edition of Field Notes that I have, with a few exceptions. Last time I wrote about Shelterwood, and for this post, I’m choosing a very old one, Just Below Zero. Not quite season-appropriate but hey, it’s about time! After this, there will be only two left: Mackinaw Autumn and Night Sky. As usual, this post will be image- and trivia-heavy, with a summary of details at the end.

Edited April 20, 2017.

threestaples-fnc-jbz-03.jpg

Just Below Zero is the winter release of Field Notes from 2009, 5th in their quarterly edition series (called COLORS back then). With the 35th edition coming up in the summer, Just Below Zero feels like an ancient edition, and it might not look so buzzworthy by today’s standards, but I really love it for its simple winter theme and the “classic” features (I’ll get into these later). It’s also hard to believe that this was almost 8 years ago, and it’s astounding that only 3,000 packs of Just Below Zero were made, while recent editions easily go for 30,000 – 40,000 packs. But it’s clear Field Notes had realized the potential of limited editions (and subscriptions) by then, and JBZ’s edition size was already six times the size of the first COLORS editions (Butcher Orange and Butcher Blue, each 500 packs). Just as its predecessors, Just Below Zero did very well, and 3-packs quickly sold out by the end of November 2009. I didn’t know about Field Notes back then. I only have one pack of JBZ, which I got years later, and I still consider it one of the more special and unique Field Notes editions that I have in my collection.

Firsts

Just Below Zero is old enough that I often think of it as the first winter edition but it wasn’t. Believe it or not, Butcher Orange was released in January 2009 and is considered the 1st winter edition (Winter 2008/2009), but I doubt Field Notes was thinking about seasonal themes at that point. The COLORS series was still in its infancy after all, and it isn’t until Grass Stain Green (Summer 2009) that they even started naming the editions according to their themes, not after paper names. So I view Just Below Zero as the first edition with the cold winter season as its inspiration. And they convey it through matte covers in three “icy” colors: French Dur-O-Tone “Steel Grey”, Pop-Tone “Sno Cone”, and Construction “Steel Blue”. I should note that Just Below Zero is not the first multi-color limited edition: Mackinaw Autumn, which came right before JBZ, was the first. According to the video An Obsessive’s Guide to Field Notes COLORS: Part One, they liked the result of Mackinaw Autumn so much that they decided to do the same thing for the winter edition as well. I’m glad they did.

The insides of the light blue and the dark grey books are printed with the same metallic silver ink used on the outside covers, whereas the medium grey book is printed with a non-metallic gray ink inside.

The only other major “first” in Just Below Zero, besides the wintry theme, is that it was the first time Field Notes used metallic ink on the covers, Pantone 877 specifically. I really love how the silver ink looks on the matte covers, especially on the medium grey book (“Steel Blue”). Except, the combination of that grey paper with the silver ink rendered the smaller text on the inside cover hard to read, so Field Notes ended up going with a non-metallic grey ink (Pantone 422) instead, just for that book. Next time we see metallic ink in COLORS is County Fair less than a year later in summer 2010. It’s often not a big, defining feature in today’s Field Notes, but it definitely was in Just Below Zero, and I cannot imagine it without the metallic ink.

I like how at certain angles, the metallic ink “disappears” into the background color.

More notes on the cover stocks used in Just Below Zero. Dark grey is not so rare in Field Notes, but I don’t think we’ve seen this specific French Dur-O-Tone “Steel Grey” anywhere else (see color comparison pictures far below). As for the light pastel blue book, French Pop-Tone “Sno Cone”, we see this specific paper reused in Two Rivers much later in Spring 2015, and in Point Oh edition (not COLORS though). The third book in JBZ with Construction “Steel Blue”, the medium grey one, is quite a unique color, and to this day it’s my favorite grey Field Notes. It’s really hard to describe the color. I’ve said it’s medium grey but that’s relative to the other two colors in the pack. It could be considered a light grey, and it has a strange blue-greenish tint to it. I love it, especially with the silver ink. The only other time we’ve seen this “Steel Blue” that I’m aware of was in the J.Crew edition, which was made roughly around the same time and featured the same Pantone ink colors used in JBZ. Edit: I spoke too soon. The belly band in the 2015 edition of XOXO Field Notes seems to be made with the same “Steel Blue” cover stock.

Oh, look what we have here? XOXO 2015 (left) and Just Below Zero (right) with the “Steel Blue” book on the top.

No fancy belly band with the “Just Below Zero” name here. Just a plain white one with the title “Graph Paper” and item number FN-01.

“Classic” Features

Other features that Just Below Zero shares with many other early quarterly editions:

  • matte French Paper covers (County Fair is the first to break the pattern).
  • silver staples (America the Beautiful gets copper staples in Spring 2013)
  • graph grid (Fire Spotter in Fall 2011 gets dot grid)
  • “Practical Applications” are not edition-specific; they’re the same as the ones in the Original kraft (County Fair again breaks this pattern).
  • Innards are Boise Offset Smooth in 50#T in “White” (Balsam Fir is the first with the now-usual Finch Paper Opaque Smooth).
  • The belly band is plain white with generic title “Graph Paper” and item number FN-01 (County Fair is the first one with its own custom belly band)

Another fun fact: the Specifications in the back cover of Just Below Zero say the corners are rounded to 3/8" (6.4 mm) but the correct conversion should be 9.5 mm. You see this in many other earlier editions, and it isn’t corrected until Balsam Fir in winter 2010 (later printings of County Fair are also corrected). Edit: this 6.4 mm seems to originate from 1/4", which was the original radius Field Notes used in the very early days, even before Butcher Orange.

Silver staples

Graph grid in “Frostbite” blue-grey ink

Gray-ish graph grid comparison, counter-clockwise from top: Sciences book from Arts & Sciences (with grid in “Academy Gray”), Original Graph (“Double Knee Duck Canvas”), Snowblind (“Hoar Frost”), XOXO 2015 (“Late Season Snowpack”), Just Below Zero (“Frostbite”), American Tradesman (“Spacious Skies”), County Fair (“Babe the Blue Ox Underbelly” light blue), Red Blooded (light gray), and Coal x DDC (“Puget Sound Gray”). 

Quick color comparison, from left: Pitch Black, Night Sky, Arts & Sciences, Just Below Zero, Byline, Lootcrate, Just Below Zero, and DDC Pop-Up Edition

Quick color comparison! Top row, from left: Point Oh, Just Below Zero (both French Pop-Tone “Sno Cone”), Flight Log (French Dur-O-Tone “Butcher Extra Blue”), Flagged by Ellen (French Pop-Tone “Berrylicious”), Sweet Tooth (French Pop-Tone “Blu Raspberry”). Bottom row, from left: DDC Pop-Up Edition, Just Below Zero (French Construction “Steel Blue”), Lootcrate, and Nixon (2015).

Some fun (for me) details

  • Just Below Zero is the 2009 winter edition of COLORS, the 5th in the series.
  • Item number: FN-01 (later FNC-05)
  • Price: $9.95/pack of 3 books
  • Edition size: 3,000 packs or 9,000 books
  • Printed: according to the old website, September 2009. Back cover says “9,000, January, 2010.”
  • 750 3-packs were available through the FN website.
  • Only 200 subscriptions were available starting with Just Below Zero, at $129 each.
  • Printed by: Service Graphics, Inc., Oakbrook Terrace, Ill.
  • Covers: one of each color, printed with Pantone 877 metallic silver on the outside and inside:
    • Dark grey: French Dur-O-Tone in “Steel Grey” 100#C
    • Light blue: French Pop-Tone in “Sno Cone” 100#C
    • Medium grey: French Construction in “Steel Blue” 100#C (inside cover in this book is printed with Pantone 422 grey ink)
  • Body paper: Boise Offset Smooth 50#T in “White”
  • Graph grid inside (3/16"x 3/16"): blue-grey ink in “Frostbite”
  • Edition-specific extras: none
  • Belly band: thin, white paper with black ink and title “Graph Paper”
  • “Practical Applications” are the same as the ones in the Original kraft books.
  • Staples color: silver
  • Film: Dum Dah Dee Dum: Field Notes COLORS Subscriptions on Vimeo
  • Film: An Obsessive’s Guide to Field Notes COLORS: Part One (2009) on Vimeo

Just Below Zero embodies all the reasons that made me fall in love with Field Notes COLORS a long time ago: understated design with simply-executed seasonal theme and colors that are timeless and versatile. It’s still one of my favorite winter editions, along with Balsam Fir and Northerly. No wonder it’s in the top 10 of my Field Notes rankings. I’d love to see another edition like this, especially the “Steel Blue” color. Are you one of the early Field Notes fans that scored Just Below Zero? How do you like it now, compared to when you first got it?

In Field Notes Colors Tags field notes, just below zero, field notes just below zero, gray, dark gray, light blue, winter edition, graph grid, french paper, french paper construction, french paper pop-tone, french paper dur-o-tone, silver staples
3 Comments

Field Notes Colors: Cold Horizon

December 16, 2016

I’m continuing on my journey to write about every quarterly edition of Field Notes that I have, with a few exceptions. Last time I wrote about Drink Local, and I’m choosing Cold Horizon next, which happens to be the edition that came right after Drink Local back in 2013. As usual, I’ll talk about major “first” features with my own opinions mixed in, followed by the the summary of specifications at the end.

Cold Horizon is the winter release of Field Notes from 2013, 21st in their quarterly edition series (they don’t call this “COLORS” anymore but I will here and there). It’s a simple yet striking edition with a blue gradient that spans across three UV-coated covers. It’s not one of my top favorites (see my Field Notes ranking here), but I think it was a solid release with the winter theme achieved through frosty blue colors, cool-colored innards, and the ultra-glossy covers. The glossy finish didn’t come as a surprise, considering it was a winter edition, but the gradient did. Honestly, I didn’t think I would like it, until I saw it in person. I still prefer solid covers but I think Field Notes pulled the gradient off quite nicely, and they succeeded in making the edition unique while still keeping it simple. I started using Cold Horizon as soon as it arrived as part of my subscription.

Firsts

Cold Horizon is not the first COLORS edition to feature non-solid covers; that would be America the Beautiful from earlier in the same year. But it is the first with covers printed in a gradient of colors. It’s actually one big, blue gradient that spans across three covers, and it wraps around, so when you put one book next to another, or back to back, the colors blend nicely from one to the other. Very neat.

The inside covers are the “reverse” of the outside, with white background and blue text. The text is actually printed in the same gradient as the outer gradient (another mini “first”). It amuses me to no end that in the 2013 Field Notes recap video, Jim Coudal points this out as “totally nerdy.” Oh, but I love nerdy details like this.

Text printed in different gradients inside.

The belly band seems to be made of the same paper as the covers. Inside cover is not as glossy as the exterior.

According to the same video, gradient is something Field Notes always wanted to do, and kudos to them for trying it. The three different covers are supposed to evoke “the deeply saturated winter twilight sky, fluorescent glacial water, and the shiny metallic glimmer of the Aurora Borealis” (respectively deep blue,  fluorescent blue, and metallic blue-green). I haven’t experienced all three to know for sure but I think Field Notes captured the mood of the season quite well, especially with such a nuanced finish and an exciting blend of rich colors.

Glossy, winter editions: Northerly (left) vs. Cold Horizon (this particular cover looks slightly metallic, too).

By the way, Northerly, another winter edition from 2 years prior, was the first to get glossy covers, but Cold Horizon is the first to achieve the effect with UV coating (Northerly’s cover is cast-coated). When I first read this, I immediately thought of the UV coating found in picture frame glass, used for preservation purposes. But I learned that in the printing industry, UV coating means that the coating on the paper is cured by UV light and that it produces a very clear, glossy finish that resists smudging and abrasion (apparently matte finish is also possible). I must say, after using 3 of these memo books, I’m impressed at the way the covers have aged. The white of the base paper is showing through worn edges (more noticeable than in other editions probably because of the look of the gradient), and it’s not completely resistant to finger prints, but overall they’re still quite shiny. The colors are still vibrant and don’t look much different from the brand new ones, and scratches seem minimal. I should also mention that contrary to how sleek they look, the covers have a slightly grainy texture. I believe there are Field Notes fans who don’t like this texture but it doesn’t bother me.

Used set (left) vs. brand new set.

Unused vs. used (right).

Silver staples.

Innards (from top): cool gray, light green, light blue.

Moving on to the interior paper. It’s not the first time in COLORS that the innards are colored (Northerly beats Cold Horizon again in that department, so does Traveling Salesman from Fall 2012) but it is the first time each book in an edition is tinted with a different color inside. The three colors are light green, light blue, and cool gray, and they’re supposed to correspond to their covers. Honestly, they’re really subtle and hard to identify, unless you view them side by side. I’m a fan of non-white innards, so I loved that I got three different colors, even though the gray color of the graph grid felt a bit distracting to my eyes. 

Colored innards comparison (clockwise from top right): Cold Horizon, Lunacy, Original kraft, Cold Horizon, Cold Horizon, Northerly, and Traveling Salesman.

As for the body paper quality, it’s the usual Finch Paper Opaque Smooth 50#T but since it’s tinted with color, the texture feels slightly different. The difference felt subtle with my usual gel pens but a quick test with my fountain pens revealed that the extra layer of color rendered the surface more resistant to the ink. Slicker but not necessarily smooth or pleasant; the ink eventually does get absorbed though. I heard that it bleeds through more on the reverse side than in the non-colored version (listen to The Pen Addict episode 87, about 32 minutes in) but I haven’t tested enough with a variety of fountain pens or inks to corroborate that. All in all, it gets a pass from me because I use gel pens vast majority of the time with Field Notes.

A couple small “firsts” before I close. It’s the first time we see Burke Printing working on a quarterly edition of Field Notes, which means different printing machines, equipment, etc. The same company also printed the next edition, Shelterwood from Spring 2014. And it’s the first time, and the only time so far, we see Appleton Utopia One as the cover stock in the COLORS series.

Some fun (for me) details

  • Cold Horizon is the 2013 winter edition of COLORS, the 21st in the series.
  • Item number: FNC-21
  • Price: $9.95/pack
  • Edition size: 20,000 3-packs, or 60,000 books, November 2013. 
  • 750 new COLORS subscriptions were available starting with Cold Horizon.
  • Printed by: Burke Printing in Lake Forest, Il.
  • Covers: Appleton Utopia One 120#C Gloss “White” with 3 different gradients named below, printed with soy-based Toyo inks and UV coating:
    • “Arctic Night”
    • “Glacial Pool”
    • “Frozen Steel”
  • Inside cover: semi-glossy white background with text in gradients of blues
  • Body paper: Finch Paper Opaque Smooth 50#T in “Bright White” with a light wash of 3 different colors:
    • light green
    • light blue
    • cool gray
  • Graph grid inside: unspecified light gray soy-based Toyo ink
  • Edition-specific extras: none
  • Belly band: white semi-glossy paper with blue ink (no gradient)
  • Staples color: silver
  • Film: Field Notes – Cold Horizon Edition (on Vimeo): Winter Almanac with Sound Advice for the Season (or list of “basic winter preparedness tips”) 
  • Film: An Obsessive’s Guide to Field Notes COLORS: Part Five (2013) (on Vimeo)

Non-solid covers (from left): Workshop Companion, Two Rivers, Cold Horizon, Shelterwood, and America the Beautiful.

Only one has a gradient cover. From left: County Fair, Cold Horizon, Unexposed, Starbucks “Coffee Origins”.

A quick color comparison (from left): Starbucks “Capitol Hill”, American Tradesman, Cold Horizon, Unexposed, Cold Horizon, Cold Horizon, County Fair, Starbucks “Coffee Origins”.

My favorite “Practical Applications”

  • #12. Good Husky Names
  • #17. Pousse-Cafés Layered
  • #22. Mittens Lost
  • #27. Order of Clothes Layering

Another application suggested in the Cold Horizon announcement email from Field Notes:

  • Solving Einstein's Fish Puzzle at Christmas
threestaples-fnc-ch-gif.gif

I think almost half of all the winter Field Notes so far have featured glossy covers. What are your thoughts on that? Would you want next year’s winter edition to have another glossy cover? I don’t think I would mind too much.

In Field Notes Colors Tags field notes, cold horizon, blue, winter edition, graph grid, colored pages, uv coating, burke printing, silver staples, glossy covers
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